
Before joining The Times, Jay Root was an investigative reporter in
his home
state of Texas. His stories there put the current Texas
attorney
general on the
path to criminal indictment, helped shut down rampant
criminal prosecutions
of rent-to-own customers in Texas, and sparked
firings and resignations at a free-spending Texas Alcoholic Beverage
Commission.
Root’s 2019 documentary Border Hustle revealed how desperate migrants have become cash cows on both sides of the border. It was nominated for a Peabody Award and won a national Edward R. Murrow award for Hard News.
“This right here is some damn good journalism,” the judges said.
In 2017, Root co-directed Beyond The Wall, a film exploring border politics in the age of Trump, which won a national Edward R. Murrow award for best news documentary.
Jay Root grew up in tiny Liberty, Texas and didn’t know a damn thing about the news business. He seemed destined for a real job in some soul-crushing corner of corporate America when, in his final year at the University of Texas, he stumbled into the offices of his college newspaper, The Daily Texan. It was like falling onto the Island of Misfit Toys. Root had found his people — his calling — and he’s never wanted to do anything but be a journalist ever since.
He got his start covering government and politics at the now-shuttered Houston Post, and for a dozen years Root was Austin bureau chief of Fort Worth Star-Telegram. There he chronicled the rise of then-Gov. George W. Bush, wrote about cartel violence in Mexico and covered Hurricanes Katrina and Rita.
During a three-year stint at the Associated Press, Root was twice named AP Staff Reporter of the Year for his watchdog reporting, including a story that sparked felony charges against a sitting state representative. As a senior political and investigative reporter at the Texas Tribune, Root covered the dramatic collapse of Gov. Rick Perry’s 2012 presidential campaign and went on to write an ebook about it called “Oops! A Diary from the 2012 Campaign Trail.”
Root also broke the story that put the Texas attorney general on the path to criminal indictment, co-wrote an expose that brought an end to privately funded prosecutions in Travis County, and authored a series of watchdog articles that prompted a wave of firings and resignations at two major state agencies.
In 2020 Root joined the Houston Chronicle, where he worked with a team of talented journalists churning out scoops on the pandemic response, the Ken Paxton corruption scandal, the worst power outage boondoggle in Texas history and more.
In 2022, Root became an investigative reporter for The New York Times in Albany.
No one who ever walked the halls of the Texas Capitol fascinated me more than Bob Bullock. He ruled state government like a ward boss (and politics like a mob boss!) That's me to his left in the horn-rimmed glasses, sporting an intense (or just scared) gaze and holding a now-obsolete tape recorder. This was near the Texas Senate press table in 1997. Over my left shoulder you can see beloved Bullock aide Tony Profitt. He died in 2004 at age 61. I still have his card in my wallet.
I've been obsessed with video since I bought my first camcorder in the late 1980s. So I jumped at the chance to get trained as a multimedia journalist during a stint at the Associated Press. when state leaders gave gun toters a fast lane to get into the Texas Capitol in 2010 — yeah you read that correctly — I knew I had a good idea for a video. naturally lobbyist Michelle Wittenburg stars in it.
I always wanted to go where the action was, particularly if it took me south of the border. So when the report of a blast in the sewer system in Guadalajara hit the AP wire in 1992, my editor at the Houston Post knew why I was calling. "Get down there," he said. I was on the next plane. what sticks with me most after all these years are the awful scenes from the mezquitán cemetery. i witnessed dozens of victims being laid to rest, including two teenage brothers buried on top of each other and a six month-old baby boy that, by chance, i had seen days earlier. The infant’s lifeless body had been laid out on the floor of a gym being used as a makeshift morgue, where people came to identify missing loved ones. I also remember the angry cries from the stadium where suddenly homeless victims demanded “justicia” from oil company pemex, whose rusty pipe was blamed for leaking the gasoline that sparked the explosion. It leveled some 20 blocks and kllled over 200 people.
Photo credit: Gaylon Wampler
That's me on the far left, notepad in hand, covering Hurricane Katrina in downtown New Orleans on Sept 2, 2005 with members of Texas Task Force 1, the elite urban search and rescue team. what i remember so vividly in those first few days was the desperation people wore on their faces. “we’re trapped, we really are,” one survivor told me outside the superdome. “I feel like jumping in the lake, dead bodies and all.” I remember thinking: where are the buses? The MRE’s? The portable toilets, for pity's sake! I wondered: Was this the best America could do? Unfortunately, it was.
Photo credit: Paul Moseley
While I was in New Orleans trying to cover Hurricane Katrina’s aftermath, I used my political sources to connect with Texas Task Force 1, the elite urban search and rescue team housed at Texas A&M University. They agreed to take me around while they pulled people out of waterlogged houses.
Hurting for Work
I'd been hearing about work injury nightmares for years in Texas, the only state in the union that doesn't require employers to provide workers comp insurance or an equivalent. So in 2014, I finally launched an investigation of the threadbare system we have for workers in Texas, and the result was Hurting for Work, the first deep-dive project of its kind (with its own app!) at the Texas Tribune. I was proud that one of the stories we featured prompted a giant insurer to drop its cringeworthy lawsuit against the widow and minor children of a worker killed on the job. And later it triggered the largest fine in Texas workers' comp history. The project, truly a collaborative newsroom effort, won a national Sidney Award.
Paid to Prosecute
While working on the Hurting for Work project at the Texas Tribune, I got what I considered to be an implausible tip: the largest workers' comp provider in Texas, a source told me, was paying the government to prosecute workers the company suspected of fraud. Company-funded prosecutors? Private justice? It didn't seem possible in liberal Travis County, Texas. But it was, resulting in the 2015 Paid-To-Prosecute project — a collaboration with the Austin American-Statesman. Once investigative reporter Tony Plohetski and I exposed this highly unusual funding deal, local and state officials figured it was high time to get rid of it — and they did.
Liquor Regulators Party on Taxpayers' Tab
It's always a thrill when the work you do as a journalist has impact, and the stories I did on the Texas Alcoholic Beverage Commission in 2017 definitely triggered some change and reform. Within days of my story about agency honchos spending tens of thousands of taxpayer dollars traveling to swanky resorts and partying with the folks they're supposed to regulate, the Legislature began moving to slash their travel budget. Then one-by-one, the TABC brass started getting pushed out under pressure from lawmakers. All told, seven top officials, including the director, deputy director, licensing director and general counsel, were gone within four months of my first story. This is the one that started it all.
How Renting Furniture In Texas Can Land You in Jail
Partnership and collaboration often increase your chances of prompting impact, and that was certainly the case with the stories I co-authored at the Texas Tribune about abusive practices in the rent-to-own industry. My colleague Shannon Najmabadi and I teamed up with the consumer finance watchdog NerdWallet to expose the use of criminal laws against rent-to-own customers. What we found — that way too many people who fell behind on payments for rent-to-own couches and computers were facing life-altering felony charges — did more than shock a couple of reporters. It prompted the Legislature to shut down this disturbing loophole.
I love to sink my journalistic chops into a good narrative, particularly if I can hang a bunch of political reporting on it that otherwise might not find a broad audience. So when I stumbled onto the story of Shawn Riggs, an Austin-area resident who ran afoul of his homeowners association's code enforcement cops, I knew I had a long-read winner. Turns out the homeowner's association was run by a state senator who — surprise, surprise — wrote the pro-industry law that allowed Riggs' HOA to initiate foreclosure proceedings against him. Published in Texas Monthly in 2013, this story won a best-of-year award from Longform.org. (A bonus: Riggs got some help from a certain senator once we brought his saga to light).
I love investigative reporting, and I think every journalist should be digging deep and looking for watchdog opportunities no matter what beat they cover. But I love a good political yarn, and I've spent most of my career in journalism spinning them. I covered Texas Gov. Rick Perry for a good dozen years, so when he launched a White House bid in 2011 I felt like I'd won the lottery. Here is a triple-bylined story on his right-hand man — lobbyist Mike Toomey — that ran on the front page of the New York Times.
Speaking of longreads with impact: I was thrilled when the print version of Border Hustle — my award-winning half-hour documentary with the same title — was published in TIME magazine. The photos by Verónica G. Cárdenas are extraordinary, and no doubt helped trigger an outpouring of support from readers who wanted to help the little Honduran girl featured in the article. Read the story first then look here to see what some generous donors were able to accomplish.
Of course Perry never made it to the White House, and when the bottom fell out of his presidential aspirations I was there to chronicle it. At the time, the Texas Tribune had a co-publishing deal with the New York Times, but the deadlines were pretty early. Naturally, Perry's decision to call it quits came suddenly, so I only had a few hours to throw together a story about his campaign's collapse. But all these years later I'm still proud of it:
City of Hope
I've been known to bitch about editors, and boy did I complain when Fort Worth Star-Telegram editor Steve Campbell sent me to New Orleans to do a "6-months-later" story about the city's efforts to rebuild after Hurricane Katrina. "Whoever heard of a six-month anniversary story," I would complain to anyone who would listen. But Steve, who died way too soon in 2016, knew the time was right. And if I had to pick one story as an example of my ability to string sentences together, "City of Hope" is it.
This photo was shot while I was touring the submerged Lakeview neighborhood with a New Orleans cop. Somewhere under all this water is Denise Thornton’s house and that ruined grand piano.